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Dunkin, stereotypically crusty but warm at heart), who is ostensibly the boss of the diner’s otherwise female crew, complains that he is suffering from “estrogen asphyxiation.”Fair enough, but if the women weren’t so likable and engaging, there wouldn’t be much of a play.
The bodaciously earthy Becky (Charity Angél Dawson) and the timid wallflower Dawn (Lenne Klingaman) serve as both comic foils and a sounding board for Jenna, helping her see her way through the seemingly impossible, and their own plot complications add levity that lightens the load of Jenna’s plight.
The direction (Diane Paulus) and choreography (Lorin Latarro) have the precision that keeps a busy diner running like clockwork.
And when you’ve finished the last bite of that pie, everyone leaves feeling full and happy.
He writes Savage Love, an internationally syndicated relationship and sex advice column.
In 2010, Savage and his husband, Terry Miller, began the It Gets Better Project to help prevent suicide among LGBT youth.
Ultimately, it seems that Jenna only has a couple of alternatives to raising her baby in small-town hell with Earl.
One involves an affair with her new doctor (a jittery Bryan Fenkart, calmed and seduced by a pie), which threatens to turn the play’s “Queen of Kindness and Goodness” into a homewrecker.
Are you looking for a Bay Guardian story that was published before 2015? The print and online articles from the Bay Guardian newspaper and from 1966–2014 are back online at the Bay Guardian archives, and you can search the archive at this link.
The Bay Guardian archive currently contains online text versions of most articles and blog posts published after 2005, and also contains a growing number of searchable flip-through PDF editions beginning in 1966.
But, along the way, the play must address and resolve its issues of spousal abuse, adultery and dead-end lives in addition to an unwanted pregnancy. And a whole lotta sisterly support, one of the many things the pie represents.